Fathers and daughters

One way you can get me to love a show – even one that might not otherwise have a long list of other things that make it stand out – is to have a really good father-daughter relationship at its core. (I'm not saying I'd still watch a show that was actually terrible just for this relationship, but … well, I'm getting ahead of myself now.) Since I love making lists, and since a friend suggested it, here goes with another one! Hope you're not too entirely bored of my lists by now; if you are, feel free to skip it.



1. Giles & Buffy, Buffy the Vampire Slayer
This one usually occurs to me very quickly when I think of my favorites, so I'll put it first. It didn't take me long at all when I was first watching Buffy to decide that A) Buffy was awesome, B) Giles was my second favorite character, and C) Giles loved Buffy like she was his daughter, and Buffy loved Giles like he was her father. In fact, Giles is a much better father to Buffy than her mostly-absent biological dad. As the show went on, it became more and more clear: if you messed with Buffy, you brought on the wrath of Giles. If you messed with Giles, you brought on the wrath of Buffy. My love for this relationship is why it was extra-painful in that episode in season 3 (“Helpless”) when Giles goes behind Buffy's back for the sake of fulfilling one of the Watcher Council's stupid pointless rituals for the Slayer. Her betrayal and his guilt – oh, man. It was also very hard for me when Giles left the show for a while in season 6, especially after his heartfelt and emotional (and lovely!) song during “Once More With Feeling.” I remember being much relieved when my friend assured me that he wasn't gone for good! There are about a million more moments I could describe, but suffice it to say Rupert Giles is the man, and I love how much he loves his unofficially adopted daughter.

2. Jack & Sydney Bristow, Alias
This is the other one that usually occurs to me right away in this category. If I really think back to when I first started watching Alias, I can faintly recall that I didn't like Jack Bristow much at all when the audience was first introduced to him – and no wonder: he seemed to have almost no use for his bright, intelligent, and impulsive daughter Sydney. I developed a little more sympathy for him when we learned more about how he'd lost his wife and Sydney's mother in tragic circumstances, but then it also became clear that that was about the time that he started shutting young Sydney out of his life. Not surprisingly, this hurt her a great deal. As the show progressed, however, the audience started to see a great deal of evidence that, in Spy Daddy's own words (from “Salvation”, in season 2), “Despite my limited abilities as a father, I love [Sydney] more than I could ever say.” ::sniff:: Yeah, that sound you just heard? That was the sound of my heart shattering into tiny pieces. One of the ways this love was demonstrated was in his efforts, both behind the scenes and with Sydney's knowledge, of protecting his daughter as best he could even in the midst of her extremely dangerous job. Sydney didn't always appreciate these acts, but she did grow to love her dad more and more over the course of the show. Although the show itself went downhill in quality after season three, I think it did the Bristows justice in how it ended. For that, I am glad.

3. Keith & Veronica Mars, Veronica Mars
No list of awesome TV father-daughter relationships would be complete without the Mars duo. After the murder of Veronica's best friend Lily, the town of Neptune turned on its former sheriff, Keith, and his daughter, due to events surrounding the initial investigation. Keith became a private investigator, and his now ostracized high-school-age daughter followed suit. They made a formidable pair when they worked a case together, and each had their own strengths to bring to bear. When they were at odds, it was painful to watch because of how well the two stars portray it. Thankfully, they were never on the outs with each other for too long. I've already mentioned the scene from “Leave It To Beaver” when they find out for sure that Keith is Veronica's biological dad – guh. Just one of many, many sweet and awesome moments between the two of them. Whenever anything terrible happened to Veronica, she knew she could go to her dad for comfort and wisdom, even when it was at least partially her fault. I said in that aforementioned list of favorite TV eps that Keith Mars is probably my favorite TV dad, and I think I was right to say that. (Only the fact that it's been so many years since I watched VM motivates me having listed him at number three here.)

4. Gibbs & Abby, NCIS
I haven't really been invested in this show for several seasons – I think it's been running out of ideas for a while, but it's on CBS and gets huge ratings, so it will probably never die – but I still make a point to watch when I don't have other plans at airtime. The reason? The quality cast. (Ooh, there's another list idea: favorite TV ensemble casts! ::adds item to list of lists to make::) It really is an excellent ensemble, and a big part of that is Mark Harmon and Pauley Perrette as Gibbs and Abby. Gibbs' wife and daughter were murdered many years in his past. Abby lost her parents, too, I believe, although she had a happy upbringing. Anyway, as far back as I can remember on the show, the love between them is obvious, and (IMO) obviously of a father-daughter type. In fact, the whole team is like a family – another thing that I love – but Gibbs and Abby stand out. They protect each other and care for each other, and it's fun to see the normally stoic and guarded Gibbs let down his guard a little sometimes, because of his Abby. Almost nothing during an episode of NCIS is guaranteed to get an “Awww” out of me more than a sweet moment between Gibbs and Abby.

*An honorable mention should go here to Gibbs & Ziva. Ziva has her own major issues with her biological dad, but it didn't take long at all after her introduction to the show for her to develop a surrogate father-daughter relationship with Gibbs. They have had their own share of sweet moments, to be sure.

5. Richard & Alexis Castle, Castle
I'm going to be honest here: other than the initial draw of Nathan Fillion, the first half season of Castle was … far from the best thing I've seen on TV. It took a while for the characters and writers to find their footing, I think. By now it's developed into quite a decent show, with another excellent cast, all of whom I enjoy watching every week. Even before they all gelled, though, the relationship between Castle and his daughter was enough to convince me to keep watching. (And it was worth it!) Molly Quinn does a wonderful job as Castle's smart, headstrong, and well-grounded teenage daughter, who loves her dad even when he's being a huge geek, or being way overprotective. Nathan Fillion, in turn, does quite well (of course!) as a single father who, yes, is sometimes less mature than his daughter, but also usually knows when she just needs a listening ear or a few words of counsel – or a corny joke to lighten the mood. It's clear that Castle treasures his daughter and is extremely proud of her.

6. Cal & Emily Lightman, Lie to Me
The relationship between these two was a highlight to be sure, for this sadly short-lived show. It was similar to Castle and Alexis's in many ways (although Cal could be a lot more annoying than Castle usually is!). Both Emily and Alexis sometimes are smarter than their fathers, at least in interpersonal skills. Both of them have to deal with dads who can be quite overprotective, especially when interacting with their boyfriends – although let me tell you, despite not being as tall as Nathan Fillion, Tim Roth as Cal Lightman came across as a great deal more menacing when he wanted to than Castle has so far! Anyway, it was clear that whatever reckless thing Cal might do to put himself at risk for his job at the Lightman Group, he would do whatever it took to keep Emily safe and out of trouble. Emily, in turn, helped keep her father grounded and was not afraid to call him on his nonsense when necessary, too. I hope to see Hayley McFarland in other excellent roles, if she wants. Also, it makes me happy that she and Tim Roth are good friends IRL.

Other honorable mentions:

-Jed & Zoey Bartlet, The West Wing: One of the main reasons I didn't give these two their own number on the list is that I'm not done watching the series yet, so I don't know how it's going to turn out for them. I do love their relationship as shown so far, though. President Bartlet is a great dad.

-Captain & Dana Scully, The X-Files: We don't get a lot of time with Scully and her dad on the show, but from what we do see, we know she loves her dad dearly. And since he appears from beyond the grave to tell her how much he wishes he had more time with her, it's a pretty safe bet that he loved her just as much. I choose to believe that while he might have been strict as a military father, their relationship was warm and caring – which would make it the best father-child relationship on the show, probably. Heh.

-Pete & Rose Tyler, Doctor Who: I couldn't very well leave these two off the list entirely, since “Father's Day” made me cry when I first saw it and continues to make me tear up whenever I rewatch. “Who am I, love?” “My daddy.” My heart breaks all over again, every time.

~

I should also mention that it always makes the joys of watching these fathers & daughters are always highlighted when I get to watch them with my actual dad. He isn't into all of these shows, but I can state with confidence, for instance, that he was not unmoved when we watched "Father's Day" for the first time.

Also, yes, I will be posting a list of favorite father-son relationships at some point soon. That's another pretty much surefire way to get me interested in a show!

In memory of Anne McCaffrey, queen of the dragons and titan of sci-fi

As a teenager, I read every single one of your Dragonriders of Pern books - many of them probably more than ten times. I loved the Acorna series, The Ship Who Sang and much of the Talents series, and just last year I read Decision at Doona for the first time.

I loved the worlds you built, the characters you developed, and your wonderful imagination.

You made my life richer with what you wrote, and your talent will be missed. Even if I were a Harper, I don't know how I could possibly distill your brilliance and your legacy into a song in your memory. So I will just keep reading your books, and pass them along to those who haven't read them.

The dragons are massing in the skies of Pern today.

Get up, take heart--go, make a start,
sing out the truth you came for.
Then when you die, your heart may fly
to halls we have no name for.
--All The Weyrs of Pern

*incoherent squeeing*

You know what else I like, though I have seen no actual footage as of yet?

THIS.

Much Ado About Nothing, from Joss Whedon

Joss Whedon + Whedonverse alums + Shakespeare? One of my favorite of Shakespeare's comedies? Plus more original songs from Mr. Whedon? How will this not be one of the most awesome things ever?!

Answer: it will have to be the most awesome things ever. No other possibility.

Special Features: Commentary With (Insert Name of Actor Here)

Question: how often do you take advantage of the option on DVD (or Blu-Ray, I suppose) special features to watch a favorite movie or TV episode with commentary?

I've been aware of this option for about as long as I've known about DVDs of things I like, but until recently I've never really taken advantage of it. There are a number of reasons for that, I think, which I'll get into here.

One of the first times I ever watched anything with actor commentary was Serenity, which was awesome because it has the entire cast (and Joss Whedon). Of course the quieter folk like Summer Glau hardly said anything, while chatterers like Nathan Fillion and Mr. Whedon talked a lot, but still, it was fun. I should say that I only watched the movie with commentary after I'd seen it without many times. Maybe that's why I haven't watched much actor commentary for TV shows, though: there aren't that many TV episodes that I've watched often enough to want to watch with actors and directors talking over pivotal lines and scenes.

It makes some sense, then, that the first ep of TV I ever watched with commentary was "The Doctor Dances", one of my favorite Doctor Who eps about which I have already written. It had commentary from writer Steven Moffat, and actor John Barrowman. (I would have loved it even more if Christopher Eccleston had joined in, but I guess he doesn't do that much, which is too bad.) I had already seen the episode at least three times, and I like John Barrowman, so I gave it a shot. It was okay. Not earth-shattering, but there were some amusing and interesting things to be heard, especially from Mr. Barrowman. There was more interesting stuff in the commentary for "The Girl in the Fireplace" (also Doctor Who). Part of that was the dynamic between Sophia Myles and David Tennant, who were dating at that time, and a larger part of it was that David Tennant is just so charismatic and so much of a fan of the show.

So there's another criterion: the commentators have to be people from whom I'm interested in hearing more. I'm not usually all that excited about hearing just director or writer commentary, to be honest. Maybe that makes me some kind of a Philistine, but it's the truth. I think I'd make an exception for Joss Whedon, though - so when I go back and rewatch certain episodes of Buffy or Angel, if he does commentary, I'd give that a shot. He's usually very much worth listening to. But I haven't wanted to spend the time rewatching most of those yet, since there's so much new TV to watch. There's another factor in my decision, then: it has to be an awesome enough episode (or movie) that I feel like I can justify the time spent on rewatching it instead of moving on to some newer material. That was definitely the case for Dr. Horrible's Sing-Along Blog, which has the added draw of being the only thing I've ever heard of that has musical commentary from the cast, director, and writers. Seriously, if you liked Dr. Horrible and haven't watched it with commentary yet, you are missing out big time.

I'm disappointed that most if not all of the seasons of The X-Files don't have either Gillian Anderson or David Duchovny doing commentary. (I should go back and check to make certain no eps do have commentary with them.) I love to hear them interacting with each other in almost any circumstance, and to hear their musings on their show would be fantastic. It would probably be hilarious, too, especially since they say in interviews that they've forgotten so much of it. Heh. Unlike with Mr. Whedon, I really don't want to hear Chris Carter talk about his show, because I usually find him boring. Sorry, CC. As I said, I prefer actor commentary to any other kinds.

Now, as soon as my sister and I started to acquire seasons of The West Wing on DVD, we were eager to see which episodes might have commentary. I may have mentioned a few times that I love this cast and this show so very much. Any actor commentary would have to add another layer of awesome, right...?

...For the most part, so far, the answer is yes. I have watched every ep that has actor commentary on it of the DVDs that we own & have seen that is available. That means "In The Shadow of Two Gunmen", parts 1 & 2, "Noel", "Manchester" part 1, and "Bartlet For America." All of these have at least one of the main cast members as well as Aaron Sorkin (the writer) and Thomas Schlamme (the director) doing the commentary. I have to admit, sometimes Mr. Sorkin & Mr. Schlamme talk a little too much for my preferences, especially when they seem to drown out the cast member or members that's supposed to be doing it with them. That happened in ITSOTG part 2, which had Martin Sheen. He hardly ended up saying anything, and I highly doubt that was because he doesn't like to talk! That was disappointing. It felt like a missed opportunity.

Thankfully, though, that has been the exception rather than the rule. The others have been quite good, and they really added a lot to my enjoyment of the episodes. My favorite by far was the one I watched today: "Bartlet For America", with Aaron Sorkin, Thomas Schlamme, and John Spencer. My sister and I literally squealed and jumped up and down when we got out the season 3 DVD set and saw that Mr. Spencer was participating in the commentary for this awesome, awesome episode. He was so utterly gripping and engrossing in his portrayal of Leo in this ep that it's absolutely no wonder at all that he won an Emmy for it. And he held his own with the other two commentators (which is to say, they all played off each other very well, not that they were actually competing). It was wonderful to hear about how much he enjoyed the episode, how much detail they put into the courtroom scenes and flashbacks, and how Mr. Spencer and Mr. Sorkin used their real-life experiences with addiction to inform the story. My sister and I also couldn't help being made very happy when we heard Mr. Spencer's thoughts on the relationship between the President and Leo - he agrees absolutely that it's the romance of the show. (Insert "awwwwww" here.)

By far the highlight of this wonderful commentary, though, is the very end. None of them say a word in the pivotal scene with Leo, the President, and the napkin. Then, as Leo cries at the end, it becomes very obvious that Mr. Spencer is crying as he watches, and the others are also deeply moved, if not crying themselves. Then the writer and director tell their star that he couldn't not get the Emmy after that, and their star turns around and tells them that every actor waits his whole career for material like that. And then I wipe the tears off my face, both from the scene and from their reactions to it.

That's how you do a commentary, folks. I hope the other TWW seasons' actor commentary episodes measure up at least most of the way to that level of greatness.

Oh, Switchfoot.

I don't think my love for Switchfoot will ever change.

Their newest album, Vice Verses, came out today, and it is glorious. As expected for a band that has been existence for a while, they have tried new things on this album while keeping what makes them essentially them - and it works very well. And as usual for Switchfoot, there are songs that call emphatically for us to wake up from our apathy, achingly beautiful worship songs, and songs where Jon Foreman and his bandmates grapple with the difficulties of this life.

Though every track is excellent, my favorites are probably "Afterlife", "Dark Horses", "Vice Verses", and "Where I Belong."

I've already listened to all twelve songs twice today, and I may well listen to a few more again. So good.

Another favorites list

This time, I decided I would make a list of my favorite TV male friendships, since I've been seeing a lot of excellent TV with extremely compelling friendships between guys recently. (Some people ship these duos, I'm aware, but I do not. That said, as far as I'm concerned, you can feel free to ship them if it makes you happy.) Note: I am not including any father-son or father figure-son relationships on here, though I love many of those as well, because I consider them to be in a separate category.
The friendships I'm listing are in no particular order. Here goes.

WARNING: There will be some minor and major plot spoilers for Babylon 5, The West Wing, Sports Night, Life, and Twin Peaks contained within.

1. Londo and G'Kar, Babylon 5
Even though I said this list wasn't in any particular order, I think it's pretty much impossible for me to not put these two first. Who would have ever expected, at the beginning of the show, that these two would end up having a relationship that is at least as compelling as that of Delenn and Sheridan, if not moreso? Their evolution from cordial dislike, to enmity, to understanding (first G'Kar, then Londo), to deep and lasting loyalty to each other, is just plain beautiful. Much of the credit of course is due to Peter Jurasik and Andreas Katsulas, and I was delighted to read an interview with Mr. Jurasik from after the show that revealed nothing but praise and warm feeling for his co-star. I think JMS really lucked out when he got these two for these two roles. The show would not have been nearly as awesome as it is without this relationship.

2. Jed Bartlet and Leo McGarry, The West Wing
It didn't take me very long after starting to watch this show to fall in love with this friendship. The two men obviously love and care about each other deeply (and again, IMO, this is entirely a non-romantic sort of love), and the two actors portray a lifelong friendship extremely convincingly. It doesn't surprise me in the least that Martin Sheen apparently still gets emotional talking about John Spencer in interviews today, because once again, it's pretty clear that they were close friends in real life, too. But oh, that scene in "He Shall, From Time To Time," when Leo confronts the President after Abby has revealed that he has MS - the shame on Bartlet's face, and the betrayal on Leo's face - kills me. And then the end of that episode, when the President is describing the characteristics of who to pick as your chief of staff! Then there's, well, pretty much all of "Bartlet For America," especially the end. I've already written about the scene with the napkin. Oh, Leo and Jed. I love them. Although I expect I'll be shipping Josh/Donna by the time that really starts to develop, I'm not sure I'll be more invested in them than I am in the President and his best friend.

3. Casey McCall and Dan Rydell, Sports Night
This is another pair for whom when you meet them, the characters have already been friends for a very long time, and this fact is very obvious in how the actors portray them. Throughout the show's brief run, the banter and mutual support of Dan and Casey are always some of the best things about each episode - although the rest of the cast & the dialogue are so fantastic that it seems almost a shame to single out the two male leads. Almost. In addition, as seems to be a running theme in this list already, theirs is the most compelling relationship to me on the show. Although I ship Natalie/Jeremy (they're so adorable!) and was greatly relieved when they got back together before the end of the show, and although I wished Dana and Casey could have made it work by then as well, it was the brief period when Casey and Dan were on the outs that was by far the most painful. I'm very glad that Mr. Sorkin did not draw that out. Their reconciliation in "April Is The Cruelest Month" makes that fantastic episode even more fantastic.

4. Josh Lyman and Sam Seaborn, The West Wing
Apparently Aaron Sorkin is pretty darn good at writing male friendships, because if you notice, he wrote for half of the ones on my list. Anyway, this one was brought home for me when my sister and I were watching "In The Shadow Of Two Gunmen, Part I" with commentary, and during the flashback scene where Josh comes to visit Sam, both Bradley Whitford and Janel Moloney commented - not really in jest - that Josh/Sam is the real romance of the show. So far, I'd say they're not too far off (although yes, I know Rob Lowe doesn't stay on the show for the whole run, which makes me sad, and I think the Leo-Jed friendship is more awesome). But it still makes me very happy to see how these two care about each other. As one example, I cannot help but echo Janel Moloney's "awwww" during that flashback scene, and when Sam tells Josh he misses him. (Incidentally, she seems rather a bit Donna-ish, which is just fine with me!)

5. Charlie Crews and Ted Earley, Life
This friendship is quite a bit different than any of the others on the list, since it began when the characters were both in prison, when Charlie (who was found guilty of murder, but who was innocent) saved Ted's (who was guilty of a white-collar crime) life while they were in prison. Still, they share much in common with my other favorites: they are fiercely loyal to each other, and look out for each other in any way that they can. I'm sure that if we had been given the opportunity to see more of this excellent show, this relationship would have continued to be a fascinating part.

6. Harry Truman and Dale Cooper, Twin Peaks
These guys are awesome. I love how it doesn't take each of them long at all to decide that the other is "all right". Harry doesn't always understand Dale's odd investigative methods, and Dale doesn't always approve of Harry's choice of women (or one woman in particular), but they will do whatever they can to help each other. Michael Ontkean is a fine actor and not at all bad-looking, but I fully acknowledge that the main reason I am so fond of these two is the awesomeness of Kyle MacLachlan's Dale Cooper. I may have mentioned once or twice that I think Dale Cooper is not only really pretty, but surely one of TV's best characters (which is why the end of the series upset me so much). Anyway, he and Truman have wonderful chemistry, and some of the best exchanges on the show - which is saying something.

I'm sure I will add to this list as I continue my TV-watching career, but these are the ones that stand out for now.

"When I look down from lofty mountain grandeur..."

And now, for a blog post about something completely different!

My family went up to Mount Rainier National Park on Labor Day. It was an absolutely gorgeous day, and we had a wonderful time hiking Sunrise Nature Trail and absorbing the incredible natural beauty. (We got there early enough that it wasn't terribly crowded, too - always a bonus, especially on a holiday.)

Here's a small sampling of the 60+ photos I took:










I love my home state, so very much. It's a joy to be so close to such beauty. I couldn't help but be reminded of several hymns and praise songs while I was there, too.

Ahh, TV obsessions.

I don't know that I've ever fallen so hard for a TV show as I have for The West Wing. That's not to say for sure that it's become my number one favorite TV show of all time, but it is to say that it's so good that I want to start rewatching it even before I've finished watching it all for the first time.

We're on season 3 right now, and I'm loving each new episode we watch. At the same time, I'd love to go back and watch all of seasons 1 & 2. I don't know if that's ever happened to me before. I mean, I've gotten into a show in season 2 or 3 and then started to watch the earlier seasons to catch up while still watching what's currently airing, but of course The West Wing isn't currently airing at all. It's just SO good that eps I've already seen have nearly the same attraction as the ones yet to come!

Then again, what does it mean that with shows like The X-Files, I blew through the DVDs as fast as I could (until I got to seasons 8 & 9, of course), just longing for the next one and the next one? I don't know. Maybe they're different kinds of shows.

A new (to me) favorite TV show

So, this past month or so, my family has been watching Sports Night on Netflix. Tonight, we watched the series finale. As usual when I reach the end of an excellent show - especially one that was canceled far too soon - I have mixed feelings. On the one hand, it was excellent, and it brought me much joy, laughter, and too many quotable lines to count. It also introduced me to many fine actors and actresses that I'd either never watched in much of anything before, or only seen in brief guest-starring roles. On the other hand, it's over! And far too quickly. It really deserved more.

It's a stellar cast: Peter Krause, Josh Charles, Felicity Huffman, Robert Guillaume, Sabrina Lloyd, and Josh Malina (who has recently shot up to being rather high on my list of favorite actors), as well as some excellent guest stars. It's not just for people who like sports a lot, either. I'm not a huge sports person, though I'll watch a game with my dad if it's a team in which I'm at least faintly interested. But my mom pretty much hates sports, and she looked forward to each new episode of this show.

It has its minor issues of course: some plotlines & character moments that were frustrating or that I didn't really like, and some dialogue that bordered on frankly ridiculous in its snappy Sorkin-ness. (That's especially noticeable when you watch a lot of it in a row, interspersed with episodes of The West Wing.) But overall, I would highly recommend it to anyone who might be looking for a show with a fantastic cast, great heart, hilarious dialogue, and wonderful characters.

Here's a video that someone made to celebrate the show. It's goofy and cute, but don't let that fool you: the show itself is a comedy, yes, but with many moving dramatic moments as well.

Very likely my favorite fan video of all time

If you're a Firefly fan (or Browncoat, as we're proudly known), you've probably already seen this video:

It's set to a song that I probably wouldn't count among one of my favorites, if it weren't for this vid: "All These Things That I've Done", by the Killers. But it so perfectly encapsulates the incredible show that is Firefly that since I first saw the vid (I believe linked to in Television Without Pity's Firefly forum), I've loved it. The creator of the vid beautifully shows us each beloved member of the cast, and moments to remind fans of what makes them awesome. It still has the power to give me chills - and sometimes even bring tears to my eyes - whenever I watch it now. That ending... "We've done the impossible, and that makes us mighty." ::sniff::

This show hasn't been on the air since 2002 (and all too briefly then, of course!), and it's been more than five years since the movie Serenity was in theaters. Still, it lives on. You can't stop the signal.

I love you, random person in the parking garage.

If you're a fan of anything Whedon-related, you'll know why I had to take a picture of this vanity plate when we went past it in the parking garage outside the local movie theater today:



It pleased me greatly.

"Join Us"

So, They Might Be Giants has* a new album out, Join Us.


If you are a fan of TMBG, I highly recommend it. It is completely delightfully them, as well as being new and hilarious and awesome. I haven't had a chance to listen through it many times yet, but some of my favorites include "Can't Keep Johnny Down", "Old Pine Box", "When Will You Die", and also "The Lady and the Tiger", for sheer TMBG bizarreness. If you aren't a fan of TMBG (or even if you are), give this song a try! And then try some of their other hits, like "Particle Man" or "Birdhouse In Your Soul."


*Frequently, I like the UK convention of pluralizing the verb after band names, etc. (e.g. "They Might Be Giants have a new album out"), but it feels weirdly pretentious of me to adopt it, since I'm not from the UK. Also, I wouldn't use it in all the environments where they do, anyway. [/linguistic sidenote]

I knew I'd been forgetting something...

I should have added "Jacksonville", from Fringe's second season, to my list of all-time favorite TV episodes. I just rewatched it on Saturday and was struck by its near perfection. Perhaps the reason I didn't add it to the list was a subconscious desire to avoid the pain that the end of the episode leads into, but it is SUCH a phenomenal episode. Anna Torv gets a chance to shine that she didn't really get in "Grey Matters". The way the conflict between Walter and Olivia plays out, with Peter a not-silent bystander, is just breathtaking. As with many of the best Fringe eps, there's also a high creepy/gross factor. The poor guy at the beginning who gets combined with his alternate-universe self, "Dreamland"-style? Blech. And then Olivia's terrifying dream-vision thing while drugged? Nightmarish, truly.

It's also heartbreaking to think of how Olivia and Peter go from being cute and flirty and funny with each other on the phone at the start of the ep, to Peter being concerned for Olivia throughout their time in Jacksonville, to them taking what will perhaps be a significant step in their relationship (going out for drinks), to... that final revelation at the end. Oh, man. I wonder what it would have been like to watch this as it aired, unspoiled. I think I still would have figured out Peter's origins without having seen the first half of season 3 first, but if the reveal was that stunning even having known, I can't imagine how awesome it would have been without that knowledge.

"The scar had not pained Harry for nineteen years. All was well."

In case you don't recognize it, those are the last two sentences in the last book in the Harry Potter series. And while I have a few issues with the epilogue that concludes the series, I thought it made a fitting title for this blog post, which coincides with the release of the final Harry Potter movie. Much has been made of how the beloved saga is finally coming to an end, and so it is, in that there is no more new HP material being released (as far as we know, other than JK Rowling's new website for fans, Pottermore). But in other ways, of course, it's not like the ending of the books and the movies means that we can't go back to read or watch them whenever we want. To paraphrase Neville in the last movie, even after it's all over, Harry & the others are still always with us. [/sappy]

Even as I say that and mean it, though, it does feel like a significant chapter of my childhood has ended. How could it not? I'm far from the only young adult who "grew up with Harry" and his friends, but that doesn't make it less true. Some of us weren't even big fans of reading or fantasy or magic before Harry came along (I was, but I know many, many people who weren't). We are the generation who read the first few books before they were bestsellers, back in elementary school or middle school/junior high, and then waited in breathless anticipation for each new book to be published. We were the ones who were sent into rapturous excitement when we heard about the movies, and would stop everything we were doing to watch the trailer for The Sorcerer's Stone when it happened to be played on TV. Okay, maybe not all of us would hear that distinctive John Williams theme playing and run downstairs just to watch whatever trailer or ad was featuring it, but my sister and I sure did. Even now, when I listen to the soundtrack to the first movie, "Hedwig's Theme" especially has the power to give me chills. Kids who start reading the books now won't have the torture of waiting years for each new installment. Instead, they can just check out or buy all of them at once, if they so choose. In exchange, however, they lose the sheer joy of knowing that the mailman is going to be delivering an all-new copy of the newest book to your door on the release date, or hurrying out to the nearest bookstore to pick up your copy.

I loved many books before I loved Harry Potter. I know I will love many more in the future. But Harry has a special place in my heart, and always will. Now that I've seen the final movie (a detailed review later, perhaps), I do feel some sadness at the end of that phase of my childhood. JK Rowling, you have given us a great gift, and we are more grateful for it than words can express. And Daniel Radcliffe & co., you have also given us a gift. Thank you.

Mischief managed.

My top favorite TV episodes of all time... so far

There aren't that many episodes of television that have left me feeling awed, amazed, and generally stuck around in my memory for a long time afterward – but there are a few. I've been thinking about the best TV episodes I've ever seen in my life, the ones that are as close to perfect as I think is possible. These thoughts led to my decision to write down a list of them, what I love about them, and what struck me about them.

Here's that list, in no particular order. I'm also including one photo for each that I feel helps encapsulate what makes each episode stand out. WARNING: there will be spoilers for House, Buffy the Vampire Slayer, Alias, Firefly, Fringe, The X-Files, Life, Angel, Doctor Who, Veronica Mars, The West Wing, Twin Peaks, and Quantum Leap contained within.

1. House, season 1: “Three Stories”
This is one of the first that comes to mind when I think about episodes that left me stunned with how great they are. Back when this show was good – which it used to be, and if you don't believe me, you should go back and watch the first couple of seasons – this was the best of all of the best episodes. It still gets to me when I watch it now. Not only do we finally get to see the whole story behind what happened to House's leg (and based on what we see, that would have been a phenomenal episode by itself), but the way House goes about telling the story to his roomful of medical students is just plain awesome. It's a perfect blend of hilarity, action, drama, and phenomenal acting from Hugh Laurie and the rest of the cast. The style of storytelling has been imitated, even by House in later episodes, but in my opinion its level of brilliance has not been duplicated.



2. Buffy the Vampire Slayer, season 4: “Hush”
There are a lot of really excellent episodes of this show, and not a few of those stand out above the rest. “Hush” was one of several that I'd heard about before I started watching the show on DVD, and honestly I was worried it wouldn't live up to the hype. Unlike at least one other episode I can think of, which unfortunately did suffer from the hype,* this one surpassed all my expectations. It's both one of the scariest and one of most well-crafted episodes of the show. Written by Joss Whedon in response to critics stating that he relied on his witty dialogue to gain acclaim, “Hush” is 99% dialogue-free, for a reason that fits in awesomely to the storyline, and the Gentlemen, the monsters of the week, are SO CREEPY. Gah! Also, there is Giles with the slide projector – priceless. Plus, that final scene between Buffy and Riley? Words fail (which is actually kind of the point) to describe how spot-on it is.



3. Buffy the Vampire Slayer, season 6: “Once More, With Feeling”
This may be one of my favorite episodes of anything ever. It's another one that I had heard about beforehand and was worried wouldn't live up to my expectations – and it's another one that blew all of my expectations out of the water. Once again, Joss Whedon wrote it. He wrote all the music and lyrics for all the songs in the episode … and though it was his first attempt at writing music, he absolutely nailed it. Also, what I was not expecting when I watched this episode was how perfectly it fits in with the overarching plot of the season, and how much it furthers it. That's something that other shows' musical episodes can't usually claim to do. (For instance, while I'm very fond of Fringe's “Brown Betty”, it doesn't move the characters forward very much.) On top of all of that, all the regular cast members who sing (and/or dance) are so wonderfully entertaining. I don't know if you'd like this episode as much if you weren't a fan of musicals, but that's definitely not an issue for me. It defines the TV musical episode for me. Now I want to go listen to the soundtrack, which is what always happens when I even think about “Once More, With Feeling.”



4. Doctor Who, season 1 (of the new series): “The Empty Child/The Doctor Dances”
So, yeah, these are two episodes, but it's a two-parter, and both halves are so very excellent. Sorry if that seems like cheating to include them both. This season marked my reintroduction to Doctor Who after having seen a few episodes on PBS when I was younger, and it didn't take me long at all to fall in love with Christopher Eccleston as the Doctor. And while I was already in love with Nine and with the show by the time this two-parter rolled around, this was the first one that really terrified me! I think I had to go to bed after “The Empty Child”, and let me tell you, I did not fall asleep quickly after that. The image of the child in the gas mask, the cliffhanger ending setting up the second half, and then the wonderful resolution of the story, with the Doctor getting to experience a moment of pure joy after all he's been through in this incarnation – oh, so fantastic. And yes, I used that word on purpose. Plus, it does an excellent job of introducing Captain Jack Harkness, whom I feel is a much more compelling character on this show than on his spin-off, Torchwood.



5. Doctor Who, season 1: “The Parting of the Ways”
Technically, since this the second half of another two-parter, I could include “Bad Wolf” in here as well – but as excellent as its first part was, it's “The Parting of the Ways” that really amazed me. As much as my grieving heart didn't want to say goodbye to the Ninth Doctor (I knew ahead of time that this would be his last outing), if ever there was a perfect sendoff episode, this might just be it. This was back when the Daleks still hadn't been overused – and knowing Nine's all too recent history with them, his confrontation with this latest fleet is amazing to behold. The Doctor's speech to Rose during Emergency Program One still has the power to make me tear up, as well. Also, not only does the episode wrap up the threads of the season expertly, but to me, there are few things more awesome than the TARDIS and Rose working together to save their Doctor and destroy the Daleks. “You are tiny. I can see the whole of time and space, all the atoms of your existence, and I divide them.” Aww yeah. And then the Doctor's farewell scene before he regenerates! Gah. It still hurts for him to go, but at least you know, as he knows finally, that he was fantastic.



6. Doctor Who, season 2: “School Reunion”
This is the kind of episode I had been wanting ever since the new series of Doctor Who started up: the story of what happens when the Doctor and one of his former companions from the classic series run into each other. I remembered Sarah Jane fondly from the classic series, and I loved David Tennant's Doctor as well (and they brought back K9, too!). I got chills when Sarah Jane first sees the TARDIS again and recognizes the Doctor for who he is, after all those years. Tennant and Elisabeth Sladen do a wonderful, wonderful job throughout the whole episode. You really believe how much Sarah Jane's time with the Doctor has changed her, and how much she's missed him even as she's continued to be brilliant on her own, of course. And then the interactions between Rose and Sarah Jane! So awesome. I think Rose gets a chance to grow a lot in this episode. Whether or not that character growth stays around for the rest of her time on the show is another question, but anyway. Basically, I can't gush about “School Reunion” enough.



7. Doctor Who, season 3: “Blink”
Another game-changer of an episode. Despite the fact that there isn't a lot of the Doctor in it, it is utterly gripping and terrifying – another one you don't want to watch right before bed, unless you'd rather not sleep. Ever again. As we follow the story of Sally Sparrow and the mysterious, nightmare-inducing Weeping Angels, it hardly matters that we don't see the Doctor and Martha much at all. The scenes with them are used very well. Sally Sparrow herself is a very compelling character, so much so that although her story is wrapped up well by the end, I wouldn't mind seeing her again. I have my issues with Steven Moffat now, but “Blink” remains an incredible feat of storytelling. The fact that it's still so often quoted and referenced in the fandom, and even in the show itself, is testament to just how good it was. Other evidence of how it lingers in my mind: whenever I see a statue of an angel, I cannot fail to be a bit creeped out, and to do my best not to blink.



8. Doctor Who, season 6: “The Doctor's Wife”
When I heard that Neil Gaiman was going to be writing an episode of Doctor Who for this most recent season, I got very excited. I've read several of his books (and, since this episode aired, seen him in person during his tour to promote the tenth anniversary edition of American Gods), and I loved them. I heard he was a big fan of the show, which only makes sense, and I hoped his episode would live up to my expectations. Once again, they were blown away. The character of the TARDIS – or Sexy, as we could call her as the Doctor does – in her new form was just wonderful. Of course she's the one who has loved the Doctor the longest, and the one the Doctor loves and relies on above all others. Of course she would think of him as her Thief, and would view herself as having stolen him just as much as he stole her. It could have easily come across as gimmicky to have the TARDIS be in a human body, but I never once got that feeling during the episode. Seeing her and watching the Doctor interact with her was a delight, from beginning to end. On top of that, the villain House was marvelously sadistic in his tormenting of Amy and Rory. I know some people object to having it clearly stated instead of implied that the TARDIS always takes the Doctor where he needs to go instead of where he was trying to go, and I can see where they're coming from, but to me it works, coming from Sexy herself. The episode as a whole comes across as Neil Gaiman's loving tribute to the show, and to the Doctor's frankly magnificent ship – who may not literally be his wife, but certainly is his closest Companion.



9. Firefly, “Out of Gas”
I love every single episode of this unfairly too-short-lived show. Even the one or two that are not as good as the rest are still awesome. However, out of all of these well-loved episodes, my favorite has to be “Out of Gas.” Through episode writer Tim Minear's expert crafting of the story, we learn in flashbacks how each member of the crew of Serenity got their start with the ship, even as the crew faces extreme peril in the 'present.' It also demonstrates even more than other episodes how much Mal loves his ship and his crew, and further establishes him as one of my all-time favorite characters in anything ever. As is usual with Joss Whedon shows, there is both drama and humor, with fantastically witty dialogue and one-liners that any Browncoat can rattle off at a moment's notice. Though it shouldn't have had to be the series finale, “Out of Gas” fulfills that role in a way that really couldn't be more perfect, ending as it does with the beginning of Mal's journey with his beloved Serenity, as a young man staring at her in wonder as she sits, abandoned and forgotten.



10. The X-Files, season 2: “Duane Barry”
I knew going into this show that Scully was going to get abducted at some point in season 2, but thankfully I had not been spoiled as to when exactly that happened. So as I was watching along, fully invested in this excellently written episode about Scully (and especially Mulder) interacting with a crazy hostage-taker who believed he had been abducted and experimented on by aliens multiple times, I had no idea that it was going to end with Scully being dragged out of her house by the guy, screaming for Mulder to help her. Gah! Of course, you can't possibly watch this episode without going on to watch “Ascension”, and although that episode is also excellent, “Duane Barry” wins out on this list because of that shocker of an ending.



11. The X-Files, season 3: “Pusher”
Though I had heard some about this episode before seeing it – basically that it was almost universally beloved of Philes everywhere – I still didn't really know what to expect going into it. That was fine, though, since I had been enjoying nearly every episode of the show I'd seen. After sitting spellbound and on the edge of my seat through the opening sequence (“Cerulean blue is like a gentle breeze”, anyone?), and the cat-and-mouse game leading up to the climactic Russian roulette scene, it became very obvious to me why “Pusher” has gone down in X-Files history. It combines fantastic performances from Gillian Anderson, David Dochovny, and the main guest star who played Robert Patrick Modell, gripping and chilling moments as Pusher literally talks people into committing various horrible acts, including inducing a heart attack in poor Frank Burst – and last but definitely not least, it continued to showcase the strength of the bond between Mulder and Scully. I do not get in the least bit bored of watching this episode.



12. The X-Files, season 5: “Bad Blood”
This is yet another episode of which I had heard much, and only good things, before I saw it. Once again, I worried that I wouldn't find it as awesome as everyone was making it out to be – and once again, it was more awesome than I could have dreamed. No other TV episode that I have ever seen has done the showing-events-from-different-characters'-POVs thing as well as in “Bad Blood”. No other TV episode has made me laugh – and continues to make me laugh, every time I watch it again – as much as “Bad Blood”, either. Scully's version of Mulder, and Mulder's version of Scully, are both so hilariously exaggerated. Luke Wilson as the Sheriff is really the cherry on top of the awesomeness that is this episode, both the Mulder-exaggerated version of him and his 'real' self. And then the scene in Skinner's office at the end! I'm snickering just thinking about it. “That is essentially exactly the way it happened.” “Except for the part about the buck teeth.”



13. The West Wing, season 1: “Pilot”
This is one of those shows that is so well-loved on the internets that I really did want to see it. Unfortunately, I've still only seen about half of the first season, but unlike with some of the other shows I've started watching but not finished, I've already been blown away by the sheer brilliance of a few episodes that I can't wait until I'm done with the show to add them to my list of favorites. The pilot of this show, in fact, is such a perfect introduction (as far as I can tell from my perspective) to the plot, the characters, and the general mood of The West Wing that I couldn't help exclaiming, “This show is really, really good!” several times to the friends with whom I was watching it. And they could only agree, wholeheartedly. It also provides an excellent introduction to Aaron Sorkin's incredible dialogue. I really, really want to keep watching this show as much as possible. Also, I really wish Jed Bartlet could be my president.



14. The West Wing, season 1: “In Excelsis Deo”
This is one that our friend who owns the DVDs told us ahead of time was one of her favorites, and it only took one viewing for me to be convinced as to why. There are plenty of light, comedic moments between the characters as they prepare for the holidays. There are also more serious issues surrounding family and ongoing plot elements, including significant developments regarding Leo and his past drug use. But the star of the episode has got to be Richard Schiff as Toby Ziegler, going far above and beyond the call of duty for the homeless Korean war hero who is found dead of exposure at the beginning of the episode. It's a moving, excellently done storyline, and not overly dramatic or manipulative. I am very pleased to read online that Richard Schiff won an Emmy for his performance here. Another highlight: the President's interactions with the kids are pretty adorable.



15. Life, season 2: “One”
This show was far too short, and it still pains me to think that we won't get to see any more of Charlie and Reese, but at least I can take some comfort from the awesomeness that is the season 2 and series finale. Not only does it wrap up a significant portion of the show's mystery, granting Charlie some answers as to who was behind his being framed for murder and sent to prison, but it illustrates the strength of the partnership between Charlie and Reese. The final few scenes, as Charlie trades himself for her and then kills Roman (in a fashion that I should probably not find as hot as I do – ahem), also reveal what we already knew: that Charlie loves his partner, and she loves him. How that love might have developed, unfortunately, we shall never find out in canon. “One” also illustrates the best of the rest of the cast, which is always nice to see. I miss Ted, Bobby, and even Charlie's new partner, as well as the ever-sinister and smirking Rayborn. But mostly I miss getting to see Damian Lewis as Charlie Crews every week.



16. Angel, season 5: “Not Fade Away”
The first time I saw this episode, I was still dealing with the large amounts of bitterness I'd accrued from season 4 and certain storylines that I loathed (and still loathe) with a passion. I also knew some of what the cliffhanger ending was going to be like ahead of time … and frequently, I just can't enjoy that kind of a cliffhanger. So, while I liked certain parts of it, and was appropriately gutted by other parts of it, I was left with a difficult feeling to describe. It was dissatisfaction, I think – not because I thought the episode or writing was inferior, but because I guess I wanted it to end more happily. But of course, this is Angel, and this is a Joss Whedon show. After a second viewing, it really seemed to fit perfectly with this dark but rather epic show. Much as my romantic, happy-ending-loving heart would still prefer for certain things to be changed about the show in general (Wesley! ::sob::), that ending shot of the remaining band of fighters, standing undaunted in the rain as they prepare to meet the hordes of evil, is just plain awesome.



17. Fringe, season 2: “Grey Matters”
It's not easy for me to choose just a few episodes of Fringe to put on this list, because I love the show so very much, but “Grey Matters” has to be one of the best. Not only does it feature the first real appearance of the wonderfully sinister Sebastian Roche as Newton, but the opening sequence is one of the best opening scenes I've ever seen for this kind of show. I mean, their brain surgery on a mental patient gets interrupted, so Newton and his crew depart with a sincere apology to the poor guy – leaving his head open and his brain exposed! Dude! And then there are the amazing, amazing moments between Peter and Walter as the episode continues. Joshua Jackson and John Noble absolutely knock it out of the park with their beautiful portrayal of this very complex father-son dynamic. This reaches its peak with the scene where Olivia has to choose to save Walter and let Newton go free. You can see Peter's desperation to save his father's life, and his utter relief when Walter ends up safe in his arms. Additionally, this was one of the first complete episodes of Fringe that I saw, and even though I didn't want to let myself fall in love with another show, I could not help but be seriously impressed by John Noble as Walter.



18. Fringe season 3, “Entrada”
This was the episode I'd been waiting for all season: for Olivia to finally succeed in her quest to return to our universe, and for Peter to finally realize the terrible truth that the Olivia he was with was an imposter. And as has been a frequent refrain on this list, it was even more awesome than I expected. As much as I love it when the female member of the partnership is in peril and is rescued by the male partner, I love it even more when she rescues herself – and Olivia Dunham is very, very good at that particular skill. Of course, she has the aid of Alt!Broyles, the man who just plain rules whatever universe he might be in, but that's only because she is able to convince him to help her, despite the risks to him and to his universe. With his help, she breaks free of a top-secret government facility (again!), makes her way back to the alternate-universe Harvard, and then jumps back into our universe before finally passing out. I think anyone deserves a moment of unconsciousness after all of that. Also, although the episode is mostly focused on Olivia's awesomeness, Peter gets an honorable mention for his “Francie doesn't like coffee ice cream” moment with Fauxlivia, and then the way he helped track her down afterward. If only he'd noticed the signs a little earlier...



19. Alias, season 1: “Almost Thirty Years”
The first season finale of Alias was my introduction to the wonder that is J.J. Abrams season finales – and this show, in fact, was probably the first show about which I got more than a little obsessed and rather heavily invested. It went off the rails and disappointed me in later seasons, but its first two seasons are just plain excellent. Every main character is involved in the crucial storylines of the season one finale, and both Sydney and her father get a chance to show their complete awesomeness. But the cliffhanger! Oh, the cliffhanger. First, Vaughn doesn't make it through the blast door in time, and despite Sydney's heroic, persistent efforts to break the glass, we see him swept away. Then Sydney is captured. She finally meets The Man – but instead of any of the bad guys we've seen so far, it's ... her mother! Dun dun DUNNN! “I have waited almost thirty years for this.” And then we fade to black. And then my sister and I spend the entire summer wondering if Vaughn is dead, and if Sydney's mom is evil, and who will save Sydney. Oh, man. I loved this show.



20. Veronica Mars, season 1: “Leave it to Beaver”
It's hard to narrow down a favorite from this show, too. So many of them are really, really excellent – and once again, I grieve the fact that this show was canceled far too soon, though at least it got three seasons. I'll go with the fairly obvious choice and pick the season 1 finale to include here, in which we finally get the answer to the season-long question, “Who killed Lilly Kane?” We don't get that answer right away, though, and part of the appeal/wonderfully frustrating thing about the episode is how long it takes before we as the audience at last know who the murderer is. Meanwhile, there are significant developments between Veronica and Logan, whom I can't help loving even though he's seriously messed-up and probably not a good choice for Veronica (just as Veronica is probably not a good choice for Logan), and between Veronica and each of her parents. I'm going to say right now that Keith Mars is my top favorite TV dad, beating out such strong competition as Jack Bristow and Richard Castle. There's no way I can watch this show without cheering for Veronica and her dad, and their relationship is one of the driving forces of this season finale. I couldn't choose any other photo to include but the one that follows, for that reason.



21. Twin Peaks, season 2: “Lonely Souls”
If I had written this entire list right after finishing my marathon of this show, there wouldn't be a Twin Peaks episode on here. That's how upset the series finale made me! But after some time to cool down, I think it does deserve a spot on here. This isn't the episode where the inhabitants of Twin Peaks find out who killed Laura Palmer, but it's the one where that answer is revealed to the audience – in an incredibly shocking, terrifyingly perfect-for-this-show way. In the pivotal scene, poor Maddy Ferguson, who I thought was probably doomed as soon as she showed up since she looked just like her cousin Laura, meets her death at the hands of Laura's murderer. I am very glad that I managed to remain unspoiled as to who it was, because that reveal was truly astonishing. Also, Killer BOB will never not be really terrifying. There are other good moments in the episode, including further developments in the unfailingly bizarre story of Ed and Nadine, and Audrey being awesome. There's also another crazy vision sequence, and we as the audience wait in great frustration as our hero, Dale Cooper, hears that “It is happening again,” without realizing that what the Giant means is that another murder is happening right now.



22. Quantum Leap, season 3: “The Leap Home Part II: Vietnam”
I almost forgot to add this episode on here, but thankfully my sister helped me remember it. “The Leap Home Part I” is also excellent, but of the two, the second one struck me even more deeply than the first. In Part II, Sam leaps into a soldier who is in his brother Tom's squad in Vietnam. His immediate decision is that he's here to save his brother's life. The other main option might be to save Tom's commanding officer from being killed and make sure his squad's mission is successful. The ever-faithful Al tries to suggest another possible reason why he might be here, but Sam doesn't do a very good job of listening. In the end, Sam is able to save his brother's life and also prevent an ambush – but he isn't able to make it so the squad can rescue the American prisoners of war, which was their mission. The photojournalist who came along on the mission is killed, but not before she takes the photo that will win her a posthumous Pulitzer. Though the rest of the story is gripping enough, it's the end that is the real shocker: Tom's commanding officer comes in to show them the photos of the American POWs that the journalist took – one of which was Al himself. Sam is shocked and horrified that Al sacrificed the chance of being rescued years earlier to help him save his brother. But Al just points to his head and says, “I was free up here. I was always free.” And that's when I choke up, big time.



I think that's the lot! It's quite possible that I've forgotten some favorites that really should be on here, but these twenty-two make a pretty good start, I think. Now, for some ending notes.

As you may have gathered, I watch a fair amount of TV: shows that are currently airing, and shows that have been off the air for a while. In fact, right now I'm in the process of watching two shows that fall into the latter category. Neither Farscape nor Babylon 5 appear in my list of top episodes, because I haven't finished them yet. Unlike with The West Wing, there hasn't been an episode (or more than one) that I've seen that grabs my attention so much that it requires me to add it to the list before I finish the series – though with Babylon 5, I can say with pleasure that I have been impressed with how well-written the arcs for the show have been. It's just so nice to be watching a show where the showrunners obviously have the whole thing planned out at least most of the way before they run out of ideas (ahem, looking at you, Chris Carter). With Farscape, I've only seen about five episodes, but I'm confident that there will be some standout eps that I will be adding to my mental list of favorites after I see more.

Also, a note about Star Trek. While I enjoy watching every incarnation of Trek (except Enterprise, which was really pretty dismal despite Scott Bakula), and while I look forward to rewatching Deep Space Nine sometime since I'm pretty sure I missed significant portions of it the first time around, my all-time favorite Trek has to be The Next Generation. It was one of the first non-kids' shows that I ever watched, and I'm almost certain that Geordi La Forge was my first TV crush. That said, I don't know that I can pick out one or two favorite episodes to put on this list. Maybe Star Trek should just be understood to be in an entirely separate category of TV favorites for me.

*There is one Buffy episode that is almost universally loved and highly praised that, I think, suffered because of me having heard the hype beforehand: “The Body.” Let me quickly say that I still found this episode to be powerful and very well-done. But I really wish I hadn't heard about Anya's speech before watching it, and especially that I hadn't read part of it online before deciding that I should probably stop in case I ever decided to watch the show. Because of that, it just didn't hit me as hard as I know it did many Buffy fans. I have high hopes that when I get to this episode again in my rewatch, it will be more powerful rather than less so. Probably the fact that I will be watching it with my mom, who has never seen it before and is loving it so far, will help.

Hello!

Welcome to my new blog. This is mostly going to be a place where I can ramble on about things that I like (hence the title). It might include anything from book/movie/TV reviews, to a description of something cool I saw or experienced. It will probably include things about language and linguistics, as well, since I like those things rather a lot.